Photo quality and organisation: how London bathroom fitters lose jobs before they answer the phone
Bathroom photography is technically demanding — tiled surfaces under downlighting produce green colour casts, small rooms distort with the wrong lens, and poorly framed shots that cut off tile runs or hide grouting quality make even excellent work look mediocre. A completed bathroom installation should be photographed with the door removed to show full room depth, a wide-angle lens set at floor level to capture the tile run from floor to ceiling, and supplementary lighting to eliminate the green cast from bathroom downlights. Organising the gallery by suite type — contemporary, traditional, en-suite, accessible bathroom — and by material — marble effect, Metro tile, natural stone, geometric floor tile — makes it easy for a visitor to find the style closest to their brief and immediately see that you can deliver it. The difference between a gallery of thirty well-lit, well-composed installation photographs and thirty smartphone shots taken at the end of a job will determine whether a potential client makes contact or clicks back to a competitor, regardless of how similar the underlying installation quality actually is.